From the Pages of Dostoevsky's The Idiot

Bantam edition, 2nd printing, circa 1983.

My 2012 Music Writings

There are several reasons why 2012 was a big year for me, not least of which are 1) I moved out of my parents' house -- those are my records all crated up on the living room floor the night before my departure -- and 2) at the urging of my friends Chris, Cliff and a few others, I started writing about music for a few websites, namely the t.r.o.y. blog and Tiny Mix Tapes (so far for their Delorean Blog mostly). It's been much more fun than I'd expected, definitely improved my critical listening skills, and for better or worse, made me feel less guilty about slacking off when it comes to my other writing habits.

In case you haven't been following my work and would like to, here's a list of some music posts I did this year, from a little video biography piece that got me going back in April to a 3,000-word year-in-summary article that went up a week ago. The pieces I enjoyed writing (and reading) most are emboldened, so if you only want to check out a few, I suggest reading those (unless of course you're not really into hip-hop, in which case check out the Blue Oyster Cult, Bonniwell Music Machine and/or Lee 'Scratch' Perry posts).

Bobby Digital in Video for the t.r.o.y. blog
The Digital Revolution: A Critical Analysis of RZA as Bobby Digital In Stereo for the t.r.o.y. blog
on Blue Oyster Cult's Secret Treaties for DELOREAN
on Scaramanga's Seven Eyes Seven Horns for DELOREAN
on Lee 'Scratch' Perry's The Return of Pipecock Jackxon for DELOREAN
Schoolly D Instrumentals 101 for the t.r.o.y. blog
on Schoolly D's Welcome To America for DELOREAN
on The Bonniwell Music Macine for DELOREAN
on LoDeck and Omega One's Postcards From The Third Rock for DELOREAN
Synthesis, Synchronicity and Singularity: How Three of Hip-Hop's Most Ingenious Independents Helped Make 2012 a Year to Remember, a feature for Tiny Mix Tapes

Now then, if you're feeling my aspiring contributions to the canon of 2012 music writing, I'd sincerely appreciate you heading over to the Best Music Writing Ballot and including some of my work among your nominations. It looks like you can vote for up to 15 pieces. Short of doing all that -- actually, I'm not even sure if that whole contest is still up and running; it looks like it might be defunct, but voting anyway can't hurt -- I also wouldn't mind if you were to pass these joints on to your friends, bandmates, lovers, colleagues, or whomever you think might dig 'em. In fact, I hear that this is how writers lacking agents and publishing houses get their work out there.